|
Brief summary, anyhow.
I found it moving, but it seemed to be aimed squarely at believers rather than doubters, making sure they hit a lot of expected notes --- Mary is given a blue wrap by her parents when she's about to ride off to Bethlehem, the introduction of each character is underscored by stating his or her name at the first opportunity, stuff like that. They even have the magi bearing the names we traditionally refer to them by, even though neither the names nor the number appear in scripture. Also, the score comes from a lot of variations on Christmas Carols --- the variations disguised enough that you don't recognize them instantly, but like a Hallmark Hall of Fame production, you appreciate the craftsmanship while rolling your eyes a little at the heavy-handedness.
The other big influence seems to be Lord of the Rings --- as Herod's and Ceasar's troops come rolling into town as shadowy figures on impossibly muscular horses, beautiful, horrible, and indomitable. They are slowed down just enough to make clear how hopeless existence is for the meek in a world where such a power reigns. Cieran Hinds chews scenery as Herod, and he seems to be hired only because Christopher Lee was busy.
Can't say I didn't cry a tear or two, because I did, alright?
| 
